UREI 1603 DJ Mixer MINT

$1750.0 Buy It Now or Best Offer
free,30-Day Returns

Seller Store kuhein8036
(3) 80%,

Location: Climbing Hill, Iowa
Ships to: US,
Item: 155896343030

All returns accepted:ReturnsNotAccepted
Urei:Urei
Type:DJ Mixer
1603:1603
MPN:Does Not Apply

UREI 1603 Professional DJ Mixer (Rare) About This Item The Urei 1603 DJ Club Mixer provides a fully featured control center for clubs and performing DJs. With the legendary Urei sound quality, stunning looks and Soundcraft’s exacting manufacturing construction. No club mixer has been designed to allow total integration with the club sound system while offering the pro DJ all the necessary tools of the trade. The 1603 offers many user-friendly features for the club installer/sound engineer – most notably; a rotatable rear connector for table top or rack mount installation, input and output gain controls to configure the mixer to your set up, flexible connectivity for a range of inputs, external mute function AND Soundcraft professional input /output connectivity for unrivaled sound quality. The 1603 also offers the DJ many pro features making life as a club DJ that bit easier – most notably; the huge range of input possibilities (including convenient top panel AUX in connectors), FX send and return, super-smooth 3-band isolator EQ, ultra clear LED level monitoring, flexible and unique monitoring features within both the booth controls and the headphone monitoring AND of course the famous Urei sound. Perfect pre-listening is possible for channel and mix signals as well as for aux-send and aux-reutrn signals . The split and flip function, an EQ for the headphones and the choice between cue and mix signal leaves nothing to be desired. The 1603 offers four input channels with connection opportunities for microphones (XLR), phono/turntable and line level (e. p. for a CD-player) in every channel. The pre-equalization at the phono input can get deactivated so that there can be also a CD-player connected. Therefore the UREI 1603 has all in all 4 microphone and 8 phono/line inputs. As the Aux-section has own jacks on the top of the console no channels have to be immolated. The channels 2 – 4 are arranged with a 3-band isolator EQ which offers a control range from full cut up to +6 dB. Channel 1 which is usually used for microhpone announcements has a +/- 12 dB EQ and an additional insert jack. The microphone signal of channel 1 can be muted to avoid feedback for the DJ Booth. The crossfader is an high-class VCA-fader. It allows a stepless adjustment of diefferent fader curves and guarantees a precise adjustment without sidetones. The output section is not less comfortable. Symmetrical XLR jacks and unsymmetrical cinch (RCA) jacks as master and booth output as well as 6.3 mm and 3.5 mm lathc inputs for headphones make the grade. Besides a 3-coloured channel-LED is available which shows singal, beat and peak, a 10-segments LED-chain for the outputs, Booth-Output configuration (stereo, left only, right only, mono) as well as an EQ for the booth-output. Especially for club installations UREI has the following features integrated: the external mute interface can mute the music signals at fire alarm and leaves the microphone channel (1) open for announcements. Additional the line inputs can be lowered by 10 dB to obviate clipping in the input channels. Alternatively the input level can be lifted by 14 dB. Therewith signals from MP3-players can be replayed without problems. FEATURES 4 Full-function stereo channels Each has inputs selectable from Mic, Phono and Line connections Phono inputs are switchable to become Line level, individually Mic insert on channel 1 for ease of connecting external processing Rotatable rear panel allows connectors to be located on the rear or underneath of the console (for best cable access) External mute function mutes all channels except mic channel 1 to allow PA announcements but mutes music 3-band EQ on Channel 1 (Mic) +/-12dB 3-band ISOLATOR EQ on channels 2-7, isolating from full cut to +6dB 1 Aux send per channel: – Channel sends switchable pre/post fader individually; Aux Return conveniently located on top panel and can be assigned to crossfader Comprehensive CUE/Monitoring system, – Aux Send can be CUE’d to headphones, Aux Return can be CUE’d to headphones VCA-based crossfader reduces fader noise and allows fully variable control curves for total control of crossfade mixing style Headphone output on 1/4″ and Mini-jack connectors EQ on headphone output Booth and Master Outputs on XLR, balanced and RCA, unbalanced Comprehensive booth controls – EQ, mute function and L/R/stereo output selector Separate master mono output High Pass filter on Master and booth outputs eliminates stage or turntable rumble Balance control on Master output Master and booth Output Mono switching Dj Mic (channel 1 only) to booth output defeat switch Tri-colour LED shows Signal/Beat/Peak metering Split Cue Headphone switch Flip function switches Cue and Mix in headphones (L and R) 10-segment Blue/White/Red LED output metering, which can read Left/Right or Split Cue/Mix Integral rack ears for easy desktop/rack mounting Individual channel gain structure controls (boost – +14db or reduce -10db) Master output attenuator pads (engineer only -10 db and -20db) SPECIFICATIONS Input & Output Levels CD/Line: 20Hz-20kHz (+/-0.5dB) Phono: 20Hz-20kHz (+/-1.5dB/RIAA) Mic [Line]: 20Hz-20kHz (+/-2dB) [20Hz-20kHz (+/-0.5dB)] Aux/FX Return: 20Hz-20kHz (+/-0.5dB) Insert Send (unbalanced, Ch1 only) CD/Line: 90dB Phono: 75dB Mic [Line]: 70dB [90dB] Aux/FX Return: 90dB INSERT RETURN (unbalanced, Ch1 only) THD: <0.02% Crosstalk: 80dB Phono/line input (unbalanced) CD/Line: -12dBu/22kOhms Phono: -52dBu/47kOhms Mic [Line]: -52dBu/3kOhms [-12dBu/22kOhms] Aux/FX Return: -12dBu/22kOhms Rear panel connector connections XLR INPUT & OUTPUT (3 pin female XLR) Pin 1 Ground Pin 2 Signal Hot Pin 3 Signal Cold Insert send and return (1/4" TSR Jack) MIC 1 & 2 Only Tip Send Ring Return Sleeve Ground Phono and 1/4" jacks Tip Hot Sleeve Screen HIGH PASS FILTER 18dB/Octave @ 63Hz Master/booth output Output Impedance: 75 ohms Recommended Load: 600 ohms or greater Frequency Response: +/- 1dB, 20Hz-20kHz Distortion: < 0.05% THD, 20Hz-20kHz @ +16dbu Maximum Output: +20dB into 600 ohms Headphone output Output Impedance: <40 ohms Recommended Load: 150 ohms or greater Frequency Response: +0, -1dB, 20Hz-20kHz into 200 ohms load Distortion: < 0.05% THD, 20Hz-20kHz @ +16dBu Maximum Output: 190mW into 150 ohms Mono output Output Impedance: 75 ohms Recommended Load: 2k ohms or greater Frequency Response: +/- 1dB, 20Hz-20kHz Distortion: < 0.05% THD, 20Hz-20kHz @ +16dBu Maximum Output: +20dBu into 2kOhms Effects loop output Output Impedance: 75 ohms Recommended Load: 5kOhms or greater Frequency Response: +/- 1dB, 20Hz-20kHz Distortion: < 0.05% THD, 20Hz-20kHz @ +16dBu Maximum Output: +20dB into 2KOhms Noise All channels routed at unity, mix at unity: < -85dB Crosstalk (@1kHz): < -85dB CHANNEL MUTE Fader Cut-off (rel. 0 Mark): < -95dB FX Sends offness: < -90dB INPUT AND OUTPUT IMPEDANCE Mic Input: 2kOhms Line Input: 45k? Aux Input (Unbalanced RCA Phono): 30kOhms Master/booth Output: 75 ohms Aux Output: 75 ohms Headphones Output: 40 ohms Maximum output levels Insert Send Output: +20dBu into 2kOhms Mix Output: +20dBu into 600 ohms Aux Output: +20dBu into 2k Booth Output: +20dBu into 600 ohms Headphones Output: +20dBu into 300 ohms Headphones: 190mW into 150 ohms

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